Above Clouds went public on 2025-03-18. The date functions as the piece's anchor: before it, versions; after it, a fixed address. Publication changed less than expected and exactly what mattered. The work was already complete when the day arrived — what shifted was access. A private folder became a URL, and further editing stopped being invisible. The date itself reads plainly: a publication line, nothing ceremonial attached to it. That plainness suits a mountain piece. Summits do not celebrate; they stand at their height once reached, available to whoever looks up. Since 2025-03-18, Above Clouds has stayed where it was put — unchanged in substance, open to visitors, asking nothing from them. No ceremony marked the moment; availability itself was the event. A publication date does not describe a work. It states when the work began to exist for others, and it draws the line cleanly: everything earlier belongs to process, everything later belongs to readers. The mountain in the title has kept the same arrangement: fixed, high, and indifferent to the weather below.